Like most pastors, I’m considering
what it might look like when our congregation is able to gather again. In the online discussions that I have
participated in, some have suggested that the congregation not sing. It may be that the prohibition against
singing is even mandated in some places.
Such a prohibition is hard for me
accept. But I get it. Singing takes more breath energy than
speaking and the “particles” that inevitably fly from one’s mouth when singing
(especially when it is in German!) may travel more than the prescribed six-foot
social distancing boundary. Still, as a
life-long church musician, that is a hard pill to swallow.
As I’ve pondered this, I wondered
if singing acapella at a soft level might be an effective compromise. As a choral musician, I know that some of the
most poignant moments are often when the choir is singing very softly. I can imagine that a congregation singing
hymns softly would have a profound effect.
Why hymns? Because unlike most contemporary songs that
are dependent upon rhythmic drive, the hymns that have endured through time
have a sing-able melody. They can stand on their own and be effectively sung without a band, piano, or organ. Some who are reading this may get defensive
and think I’m ragging on contemporary praise and worship songs. I’m not.
I’ve championed the genre since its inception. But the truth is, most of the songs are
dependent upon a band. A few aren’t, but
they’re the exception.
While we can’t use the hymnals (public
Bibles and hymnals would be germ carriers), the words to well-known hymns could
be presented on the screen. And then, have the congregation sing them almost “under
their breath,” a technique singers call sotto voce. I promise, the effect would be stunning, especially if your church has good acoustics.
When the early church was formed
and gathered in their first three hundred years, they practiced acapella singing. We know this from Paul’s letters to the
Ephesians and Colossians. But we also
know from the writings of the early church Fathers that singing didn’t play
such a predominant role in worship gatherings as it does today in our
culture. The two primary foci of each
weekly gathering were the Word of God and the Lord’s Table. It is likely, during times of heavy
persecution, that if the congregation sang at all, they sang quite softly. We’ll survive, Church, and perhaps through
this time of adjusted expectations and practice in corporate worship, we might
discover new delights and what, in the end, is most important.
We have seen the demise of
hymn-singing for the last forty years. Many
of our young people have never heard the treasures that have been passed down
to us from decades and centuries before.
Perhaps this pandemic can have the surprising effect of bringing the
valuable practice of hymn-singing back to the American church.
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